SKU: 298310600

VT Dimensions Wilsonart 6-ft 4588-60 Kalahari Topaz Matte Left-Hand Miter-Cut Laminate Kitchen Countertop with Integrated Backsplash

$75.60 $84.00
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Description

VT Dimensions Wilsonart 6-ft 4588-60 Kalahari Topaz Matte Left-Hand Miter-Cut Laminate Kitchen Countertop with Integrated BacksplashWilsonart Kalahari Topaz Matte Laminate Countertop, 6 ft Left Miter A durable Wilsonart laminate countertop with integrated backsplash and classic Tempo waterfall edge. The 6ft left hand miter cut makes turning a 90 corner easy while delivering a natural stone look finish in Kalahari Topaz. Key Features: Tempo Waterfall Edge: Smooth, seamless profile for a classic, finished look Integrated Backsplash: One piece design helps prevent dirt buildup and

Wilsonart Kalahari Topaz Matte Laminate Countertop, 6-ft Left Miter

A durable Wilsonart laminate countertop with integrated backsplash and classic Tempo waterfall edge. The 6‑ft left-hand miter cut makes turning a 90° corner easy while delivering a natural stone-look finish in Kalahari Topaz.

Key Features:

  • Tempo Waterfall Edge: Smooth, seamless profile for a classic, finished look
  • Integrated Backsplash: One-piece design helps prevent dirt buildup and simplifies cleaning
  • Durable Laminate Surface: Resists scrapes and scuffs with no polishing or resealing required
  • DIY-Friendly Installation: Left-hand miter cut designed to turn corners at 90° angles
  • Natural Stone Appearance: High-definition pattern mimics quartz/engineered stone in neutral tones

Specifications Table:

Specification Details
Collection Name VT Dimensions
Sub-Brand Wilsonart
Manufacturer Color/Finish 4588-60 Kalahari Topaz - Matte
Color/Finish Family Off-white
Finish Matte
Type Countertop
Common Length (Feet) 6
Length (Inches) 72
Depth (Inches) 25.5
Thickness (Inches) 4.5
Countertop Cut Left-hand miter
Edge Type Waterfall (Tempo edge)
Integrated Backsplash Yes
Heat Resistant Yes
Material Laminate
Stain Resistant Yes
Style Natural stone-look
Matching End Cap Kit Available Yes
Matching End Splash Kit Available Yes
Warranty 1-year limited
CA Residents: Prop 65 Warning(s) Yes
UNSPSC 30162200

Frequently Asked Questions (FAQ):

Q: Can this countertop handle heat from everyday kitchen use?
A: Yes, it is heat resistant; use trivets for hot pots to protect the surface.

Q: Is the backsplash included?
A: Yes, it features an integrated backsplash as part of the one-piece design.

Q: What are the overall dimensions?
A: Common length 6 ft (72 in), depth 25.5 in, thickness 4.5 in.

Q: Do I need to seal or polish the surface?
A: No sealing or polishing is required; simply clean with mild soap and water.

Q: Are matching accessories available?
A: Matching end cap and end splash kits are available.

Modern Ease Meets Stone-Inspired Elegance

This countertop brings a quiet sophistication to the kitchen, its soft Kalahari Topaz palette echoing the texture of natural quartz. The Tempo edge lends a refined, waterfall silhouette that feels tailored yet timeless. Pair it with crisp white cabinetry and brushed nickel hardware to elevate everyday prep into a polished moment. A chic essential for effortless, luxurious living.

Upgrade your kitchen with the durable, stone-look Kalahari Topaz countertop—order your 6‑ft mitered piece today.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 298310600

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4.3 ★★★★★
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Product Reviews
H
Verified Purchase
Howard
Boise, US
★★★★★ 5
By far, the best book of many I have read on this subject. Must read for anyone interested in this subject.
Format: Paperback
Best book I have yet read on the subject, and I have read many in research for the writing of my second novel. It relentlessly examines specific cases of lynching over time, but it is not a mere narrative of specific lynchings. It is an excellent analysis of the social, historical and cultural forces behind this horrendous practice. The book's discussion of the movie, Birth of a Nation, would by itself make this a valuable book, but the book's central theme is even more important. Its central theme, the public's desire for spectacle as fuel for lynchings, particularly after the abolition of legal public executions, is even more revealing. Also a good look at the social and cultural forces that over time led to the gradual demise of lynching as a phenomenon. A page turner for history readers. Warning -- man's inhumanity to man will make you simultaneously angry and sad.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 24, 2015
A
Verified Purchase
AlanWarner
Pawtucket, US
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats." Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens." In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 6, 2015
C
Verified Purchase
Carole T Emberton
Natrona Heights, US
★★★★★ 5
A fresh take on lynching and its place in American culture.
Format: Paperback
A path-breaking study of lynching as spectacle and the meanings such events produced for the masses who attended them as well as for those who saw the photos and postcards afterwards. Wood's visual analysis of these images is impressive and cogent. Her writing is clear and accessible to a wide audience. This is cultural history at its finest!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 17, 2018
P
Verified Purchase
pat delzell
Battle Creek, US
★★★★★ 5
Great book ...disturbing subjet
Format: Paperback
This book explained the rationale for lynching! It was just what I needed for my graduate course!!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 14, 2019
B
Verified Purchase
B. Kirzner
Omaha, US
★★★★★ 4
Lynchers Were Worse Than I Thought,
Format: Kindle
It was worth the time and effort to get through this book. It has opened my eyes to the scapegoating of Black victims’ as the evil ones and whites as the religious moral ones. That being said, this book was too detailed, making it slow reading. Overall, it still was and is worth reading to understand this massive projection of guilt and evil on victims, and the taking of justice into mob rule.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 8, 2021

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